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- Writer: Keswick Film
- Info: News and views for Keswick Film Club and Keswick Film Festival. Tweets by Stephen Brown.
- 105 votes
- Drama
- 2019
- Hope Gap is a movie starring Josh O'Connor, Bill Nighy, and Annette Bening. A couple's visit with their son takes a dramatic turn when the father tells him he plans on leaving his mother
- 7,8 / 10 Star
- writer: William Nicholson
The world needs this film now more than ever.
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Hope gap movie review. Hope gap ending. Hope gap to birling gap sussex map. The hope gap. Hope gap film review. A great three hander dealing with relationships in a real way without being banal. Great use of dialogue and poetry. A mature movie that s satisfying without being trite. Mr Rogers is the type of person that we all should strive to be. He truly made the world a better place. Hope gap plot. Hermosa cancion y hermosas mujeres. 10 star rating for this cinema. I loved it the way of direction. Lindo éxitos y saludos Lima Perú. Hope gap official trailer. LO Maximo. Lo Mejor de Colombia Pronto en Lima Peru para este 2019. Gracias a la Disquera mas grande del Sur GDH MUSIC INTERNACIONAL... Ayyy noo😭. Hope gap year. September 6, 2019 7:55PM PT Annette Bening plays a woman blindsided by her husband's decision to leave after three decades in William Nicholson's low-key British drama. In “Hope Gap, ” Annette Bening plays a fiercely intelligent but not nearly independent enough English housewife who has been toiling away on a project for years. A lover of literature, and poetry in particular, Bening’s character Grace is compiling a book of verses for the full range of human experience. She intends to call it “I Have Been Here Before, ” and it will serve as a kind of life preserver for the dejected and depressed, reminding that no one is experiencing hardship for the first time, and that others more eloquent have managed to put those feelings to paper, signaling the way through for all who follow. Writer-director William Nicholson intends “Hope Gap” to work in much the same way. Slow and stuffy, like a filmed play, but also considerably more nuanced and mature than your typical relationship drama, it’s the story of a marriage that ended almost entirely out of the blue after the couple had been together for 29 years. Except the split wasn’t unexpected; it had been telegraphed in tiny ways almost every day for decades, until at last, it came to a head, and the husband (played by Bill Nighy) left, enlisting his son (Josh O’Connor) to help Grace cope with the separation. It’s a difficult prospect, inspired by the divorce of Nicholson’s own parents, and the filmmaker navigates it as sensitively as possible in order to be fair to both parties. In the process, his characters’ pain, and also their resilience, serve to let others know they’re not alone. That’s a noble aim, I suppose, but a rather dreary one for audiences seeking escapism, rather than a suicide hotline — which, incidentally, is where Grace volunteers to work, channeling her newfound cynicism into a kind of surly commiseration with those worse off than she feels. Woe is the soul who suggests “Hope Gap” as a date night. A film like this is better watched at home, curled up beneath the quilt with a pint of Cherry Garcia and a box of Kleenex. More than just the metaphorical discrepancy between Grace’s expectations and the reality of her marriage, “Hope Gap” is an actual place, a scenic stretch of cliffs in Sussex, facing south toward France. It’s a perfectly lovely spot to throw oneself into the ocean — and don’t think that hasn’t occurred to Grace, although she’s none too keen about scraping her face across the white chalk limestone on the way down. Grace and her husband have shared a house not far from the cliffs for decades, firmly entrenched in their routines. Grace never finishes her tea. Edward comes home, makes a cup for himself and retreats to his desk on the other side of the house. Edward is a history professor who spends his evenings “wikiing” (correcting articles on Wikipedia), which inspires one of Nicholson’s many fuddy-duddy riffs on how modern society seems out of sync with his obsolete characters: “If you make a history mistake in a Wiki article, you click undo and revert it. ” (There’s an even more groan-worthy one later, about paying with a chip-equipped credit card: “It’s all contactless now. ”) Nicholson is a gifted writer with an impressive list of credits that includes “Unbroken, ” “Gladiator” and “Les Misérables” (nearly all of which were co-written, which makes his contributions a bit tricky to parse, although more can be told from his C. S. Lewis biopic, “Shadowlands, ” based on his own play). He gives in a bit too easily to showing his wit, which is backed by a kind of earnestness that can be uncomfortable to watch — at least to the extent that “Hope Gap” is personal, a reflection of what his parents went through. Grace adopts a dog and names it after her husband. A detail like that would be corny if someone had made it up, but here it’s just heartbreaking. In the weeks to follow, whenever their grown son Jamie comes home, he finds her sitting on the hall stairs, as if waiting for Edward to return. Again, brutal. He doesn’t let his father off easy (Edward waits until he falls for someone else — the mother of one of his pupils — before finding the courage to leave), nor does he begrudge the man his newfound bliss. When Grace confronts the other woman, the stranger matter-of-factly replies, “I think I thought there were three unhappy people, and now there’s only one. ” The final dagger. What has Jamie lost, raised in a household without real love between his parents? They felt it once, maybe — although a story about how they met (on the wrong train) suggests their son is the only good thing to come of the marriage. And even he seems stunted in matters of romance and home-building, judging by his life back in London. How much of himself has Nicholson put into Jamie? “I never asked myself if she was happy or what she was thinking, ” the young man shares early on — although casting Bening, who seems to have looped her English-accented lines, as his mother seems like the highest compliment, and the actress is excellent in all her bedraggled desperation. In any case, it seems like Edward was equally uncurious about a wife he took for granted, a wife who gets on his nerves. “You go for him, ” Jamie reproaches her. “He should fight back, ” she says. “I want a reaction. ” What she wants is reassurance. Something has been not right about their marriage for ages, and Edward is too mild-mannered to address it. We’re used to seeing Nighy play salty, extroverted characters, garrulous and good-natured, but Edward is like an old ficus, bent over by years of badgering. The more Grace picks at him, the more he retreats … until such time that he has backed himself out of the marriage entirely. Grace wants them to stay together, but it’s clear that neither Jamie nor Nicholson shares that view. The marriage has run its course. It happens. And where do people turn when it does? Well, now they’ll have “Hope Gap” to cling to — proof that someone has been here before. International production and distribution powerhouse All3Media has named former ITV and Virgin Media communications boss Mike Large as group director of communications. In the newly created role, Large will oversee corporate communications for All3Media’s expanding operations in the U. K., Europe, North America and Asia, and will report into All3Media CEO Jane Turton. Large was previously [... ] MADRID — Paris-based sales agent Best Friend Forever has dropped a first trailer for Colombian Camilo Restrepo’s feature debut “Los Conductos, ” a movie which captures the shattered mental landscape of a man on the run from a sect. Winner of last year’s Mar del Plata Work in Progress competition, Restrepo’s has scored a prime festival [... ] HBO’s “Chernobyl, ” Netflix’s “Sex Education” and indie film “Wild Rose” took top prizes at the U. K. ’s second annual CDG Casting Awards, held on Feb. 11 in London. Meant to spotlight the full breadth of the profession, the CDG Casting Awards feature competitive categories for theatre, television, film and commercials. Divided into two categories, the television [... ] Palomar, the Italian TV and film production company behind “Inspector Montalbano” and “The Name of The Rose, ” is launching a unit dedicated to documentaries to be headed by Andrea Romeo, founder and chief of Italy’s Biografilm Festival. Palomar Doc, which will become operational in March, will be developing and producing docs and doc series by [... ] Veteran festival programmer, Anderson Le has teamed up with a group of Asian-American and Asian filmmakers to launch creative studio East. Its objective is hatching pan-Asian stories for a global audience. The new outfit will have offices in Ho Chi Minh City and Los Angeles and have activities that stretch from development, financing and production [... ] The glitz of the annual Hong Kong Film Awards will be put to one side this year as a response to the coronavirus outbreak. The awards’ organizing committee said that it remains important to recognize filmmakers efforts. But the awards show will shift from its scheduled mid-April slot and change its format to avoid creating [... ] Picture Tree Intl. has secured global sales rights of Berlin comedy “Nightlife, ” directed by Simon Verhoeven, following his last film “Welcome to Germany, ” which was Germany’s comic relief to the refugee crisis. The film sold to more than 60 territories and screened at more than 50 festivals worldwide, while being the No. 1 box office hit [... ].
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Thank you William Nicholson for saving my Dinard Film Festival 2019. After viewing several so un-innovative "real stories" Red Joan, Fisherman's Friends) and "social realism" films (The Last Tree, VS - even though VS's world of rap battles was fascinating) I was getting really disappointed in British cinema. Hope gap trailer 2019. Home apartment rentals. Wow wow amazing!♥️What an amazing idea♥️Love Love!☺️. Hope gap where to watch. Anything with quigonn jinn i click I mean FALLOUT DADDY i mean Taken I mean Liam neeson boi. OMG P THIS IS AMAZINGGGG! TOO MUCH FOR MY HEART TO TAKE HEHE SO PROUD OF YOUUU OMGGGGG CANT WAIT FOR THE EPISODE TO COME OUTTTTTTT AAAAHHHHH.
Unas cervecitas con mi madre con esta buena canción! Saludos a todos los que la escuchan en este 2019. Recuerdos bellos solamente eso conservo.😢💞💖.
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Hope Gap made up for all that. It is beautifully acted (Annette Bening is extraordinary) deep and subtle, and does carry you away. Hope gap wiki. Home appraiser inland empire ca. Oh great. ANOTHER divorce movie. Meh. Agreeing with OP, it's as I always say: Metal is not one size fits all. If you like it, if it moves you or speaks to you in some kinda way, that's all that matters. Whether you're 4, 40, or my 88 year old grandmother... if you like metal, listen to metal. You don't have to look a certain way or be of a specific background to be a metalhead. You rock that battle vest WITH HORNS IN THE AIR!
Hope gap imdb. Hope gap cast. Hope gap tallard. Hope gap trailer legendado. Havent listened to this in like 10 years and still 🔥🔥! Surprised I remember like half these bars. Hope gap film release. Hope gap movie trailer. Love this mix tape 🔥🔥🔥🔥 d block forever. Omg I am sooooo excited for this... 🎉🎉🎉🎉🎉 can't wait to watch it. Very enjoyable drama about an couple whose marriage is strained and break up and the effects on each and their grown son. Some humour but a serious film. Performances are first class and as usual Annette Bening is outstanding. John O'Connor (Gods Own Country) also is a stand out. Hope present tense of verbs. It was nice while it lasted. The people most responsible for climate change should be the ones required to pay for it. Capitalists have pushed a culture of consumption while externalizing all the environmental costs. They are, quite simply, the ones most responsible and the profits gained due to cost externalization should be the resources used to fix the mess. This will never happen. There is no such thing as responsibility. It's just amusing that so few can point out the completely obvious.
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Hope baptist church. Hope gap british film festival. Hope gap review. Hope gap release. I’ll admit, when the news of filming not starting till September, I was a bit annoyed, but after thinking about it, if it means more time and effort is put into the show, rather than giving us a rushed product, I’m all for it, but I really think the BBC should consider bringing back Torchwood to fill the gap. The public reaction to John Barrowman’s return as Captain Jack Harkness proved that fans want more of the character. It wasn’t just Doctor Who fans, even the general public who were aware of the character was happy to see him return. If that isn’t a big sign to the BBC that they should bring back the show, I don’t know what is. Both John Barrowman and Eve Myles have said they’d like to bring it back. They’re constantly doing Big Finish audio dramas. I know Russell T Davis owns the show, but if he’s willing to let the show be done in audio form, why not let the BBC bring it back to the screen. He doesn’t even need to be in charge of it. With a different show runner and crew to Doctor Who, it would allow it to be made whilst the cast and crew take a break in between series rather than juggle both shows. Russell could simply be a producer with ownership credit. Seriously, give us a Children of Earth and Miracle Day series in between Doctor Who series and it would take pressure off the crew of Doctor who to rush themselves.
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